Musical Worlds: New Directions in the Philosophy of Music

Abstract

This volume, reproducing a special issue of Journal of Aesthetics and Art Criticism on The Philosophy of Music (Winter 1994) with a revised introduction and two new articles, is distinguished by its breadth of content, diversity of approaches, and clarity of argument, which should make it useful for classroom teaching. topics covered include musical representation, the expression of feeling in music, the metaphysics of operatic speech and song, musical understanding, musical composition, feminist music theory, music and politics, music and racial identity, music in non-Western cultures, and the ontological implications of recording technology for rock music. approaches used are philosophical, historical, social and political, feminist, and ethnomusicological. book includes discussions of a great many styles and historical periods of music, from ancient Greek music and music theory to instrumental and operatic music in the Western classical tradition, Persian music, music of the Blackfoot Indians, rock and the blues, and the avant-garde compositions and performances of John Cage. contributors, all eminent scholars in the field, are Philip Alperson, Noel Carroll, Stephen Davies, Claire Detels, John Andrew Fisher, Lydia Goehr, Peter Kivy, Jerrold Levinson, James Manns, Bruno Nettl, Jenefer Robinson, Joel Rudinow, Goeran Soerbom, Francis Sparshott, and Kendall Walton.