Abstract
This study aims to identify and understand the creative process of artists in the performing arts market. The concept of creativity is often the response of the high degree of creativity. Basically an assumption appears if the artist is able to survive in the market is the result of creativity in the performing arts is a form of alternative or compromise. This phenomenon occurred in the group Acapella Mataraman. This case study is based on the concept of Jennifer Lindsay and Umar Kayam about the existence of performing arts groups. The primary data are gained from the interview process with Pardiman Djoyonegoro, then, it is completed with the secondary data through a focus group discussion to explore deeper about creativity process on Acapella Mataraman. The results show that the repertoire of pangkur jenggleng and emperan Nuswantara is a form of compromise. Musical sounds and rhythms of modern music elaborated and presented through acapella techniques. Supplemented by the concept of parody that has appeal and value to the consumer tastes of the performing arts. This form is an effective medium for the delivery of criticism and moral content on each of the repertoire.
Highlights
Yogyakarta is one area in Indonesia which is known as a city of culture
The repertoire through genres of musical parody of Acapella Mataraman is the result of creativity Pardiman Djoyonegoro as a major figure
He was known as a skilled artist imitating the sound of musical instruments through acapella techniques and elaborated with local cultural elements are presented with a humorous style
Summary
Yogyakarta is one area in Indonesia which is known as a city of culture. In this city there are plenty of activities for the performing arts do have a lot of individual creative and performing arts groups. The repertoire through genres of musical parody of Acapella Mataraman is the result of creativity Pardiman Djoyonegoro as a major figure. The assumption appears that the possibility of creativity is one form of compromise or alternative This allows the group's repertoire is kitsch art that is only concerned with economic factors - or kitsch or art popular in Mataraman Acapella has a different meaning and not just economic factors. This can be described as a musical proximity (listener habitus) of the general public When referring to both opinion, in order to get the exchange against the spectacle rate, the repertoire of Acapella Mataraman has the simplicity in form to make it popular. Interpellation on both of bar 26 above was used as a cue for the entry of lyrics with a simple rhythm and melody pattern: Frase I
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