Abstract

Part I: 1. Music, the world, and the critic 2. Questions of value 3. Exoticism with and without exotic style 4. Who is 'Us'?: the national and/as the exotic, and the treatment of stereotypes Part II: 5. Baroque portrayals of despots: ancient Babylon, Incan Peru 6. A world of exotic styles, 1750-1880 7. Exotic operas and two Spanish 'Gypsies' 8. Imperialism and 'the exotic Orient' 9. Exoticism in a modernist age (ca. 1890-1960) 10. Exoticism in a global age (ca. 1960 to today) 11. Epilogue: exotic works of the past, today.

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