Abstract
Musical and dramatic creativity by Olena Pchilka in the development of children musical theater in Ukraine
Highlights
Today in the minds of Ukrainians there is a process of reappraisal of values, which requires new approaches to the cultural education of citizens
Every play was put on the school stage
The author interweaves melodies in the texts of plays (“Melodies for singing”, as Pchilka called it) as an organic component of the child’s very existence, they sound in a dance, game or some imaginary action of children, thereby “feeding” and directing the Grand vector of the stage action
Summary
Today in the minds of Ukrainians there is a process of reappraisal of values, which requires new approaches to the cultural education of citizens. That is why there is a need to study the children musical and dramatic heritage of the past – an inexhaustible treasury of cultural and educational ideas that in modern conditions can get their new life The pearl in this treasury are the children plays by Olena Pchilka. The lack of research that fully and comprehensively covers the scientific and practical significance of children musical plays by the writer for the development of children theater in Ukraine determines the relevance of the chosen topic. Appeal to it seems very timely, given the growing popularity of the children musical genre today both in the world and in Ukrainian musical culture. The process of creative development of this genre is one of the important problems of a modern professional theater for children
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