Music, Popular Culture, Identities

Abstract

Richard YOUNG: Introduction. William ANSELMI: From cantautori to posse: Sociopolitical Discourse, Engagement and Antagonism in the Italian Music Scene from the 60s to the 90s. Daniel F. CHAMBERLAIN: El corrido: Identity, Narrative, and Central Frontiers. John Charles CHASTEEN: A National Rhythm: Social Dance and Elite Identity in Nineteenth-Century Havana. Catherine DEN TANDT: Globalization and Identity: Discourse of Popular Music in the Caribbean. Murray FORMAN: Keeping it Real?: African Youth Identities, and Hip Hop. Keith KAHN-HARRIS: I hate this fucking country: Dealing with the Global and the Local in the Israeli Extreme Metal Scene. Henry KLUMPENHOUWER: Idiocy of Rural Life: Boerenrock, the Rural Debate and the Uses of Identity. Adam KRIMS: Rap, Race, the Local, and Urban Geography in Amsterdam. George LANG: Cannibalizing Bossa Nova. Claire LEVY: Who is the Other in the Balkans? Local Ethnic Music as a Different Source of Identities in Bulgaria. Lisa MCNEE: Back from Babylon: Popular Musical Cultures of the Diaspora, Youth Culture and Identity in Francophone West Africa. Hamid NAFICY: Identity Politics and Iranian Exile Music Videos. Parvati NAIR: Vocal In-roads: Flamenco, Orality and Postmodernity in Las 3000 Viviendas, Viejo Patio (Culcimer and EMI, 1999) Viviana RANGIL: Selena: Two Complementary Cinematographic Interpretations. Michael Frank TITLESTAD: The artist gathers the bones: Shamanic Poetics of Jazz Discourse. Stella VILJOEN: En Route to the Rainbow Nation: South African Voices of Resistance. Contributors. Index.