Abstract

In his collection of essays Music and Morals (1871), music critic the Rev. H.R. Haweis devoted several pages to the relationship between music and memory. Like many of his contemporaries, he believed that music could trigger recollections in acute and intense ways. He suggested that there are ‘many mediums which connect us vividly with the past but for freshness and suddenness and power over memory’ the sense of hearing is paramount. He imagines a middle-aged woman caught unawares by a few bars of music.

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