Music-Making as Witness in the Mexican–American War: Testimony, Embodiment and Trauma

Abstract

During the two years of the Mexican–American War (1846–48) and in its immediate aftermath, American composers and publishers produced numerous pieces on topics related to the conflict. Many of these were written for solo piano or voice with keyboard accompaniment and marketed as popular entertainment to amateur musicians performing in the home. This repertoire comprises lament songs, battle pieces and patriotic songs and dances. Works include musical depictions of violent and tragic scenes, but most pieces are in major keys, featuring lyrical melodies and upbeat dance rhythms – the typical fare of parlour music of the period.