Music, Insight and the Development of the Thinking Voice in Psychoanalytic Psychotherapy

Abstract

This paper explores insight and the development of the thinking voice in the psychoanalytic process. It begins with music and images, narrating an important Australian historical event. The composers have created a dreaming space, and for this paper, a metaphor for the analytic space and the creative process. At once physical, aural and visual, it also exists within and reflects the patient's and analyst's shared historical and cultural frame. It is a liminal space, for exploration, crossing, and a product of the alchemy created between patient and analyst. Pickering's (2016) and Grier's (2019) consideration of musicality as an essential part of the analytic experience assists recognition of the multidimensional nature of the space created between patient and analyst. Ferro and Civitarese's (2015) conceptualization of the space where patient and analyst dream one another, and Baranger and Baranger's (2008) discussion of the bi personal field are pertinent here. Symington's idea of insight as an essential ‘thing in itself’, within the individual patient helps articulation of insight as a product of an internalized linking, or parental intercourse, enabling movement to a separate third position.