Abstract
Purpose of the Article. The study of the source base on the issue of music in Ukrainian ballet to generalize the theoretical heritage and outline the prospects for further research on this issue. Methodology. The article is based on the analytical method of research, the method of systematization, and comparison. These methods allowed us to analyze the literature on the selected issues, to classify and compare its problem perspective. Scientific novelty. The scientific novelty is to compare the experience of studying the musical basis of ballet as an art problem in the traditional (experience) and innovative (perspective) sense with the obligatory parallel analysis of the choreographic component. Conclusions. Given the uneven coverage and study of musical and choreographic components of the ballet genre in scientific thought, it is appropriate for scientists to strive for a conscious in-depth study of those aspects of ballet that do not lie in the field of their specialization. Examples of works, where the ballet study as integrity, are the works of O. Afonina, O. Zavyalova, O. Karandeeva, D. Sharikov.
Highlights
Aksiutina Vladyslava, postgraduate, National Academy of Culture and Arts Management Music in Ukrainian ballet as a musicological problem: experience and perspectives of study Purpose of the Article
The scientific novelty is to compare the experience of studying the musical basis of ballet as an art problem in the traditional and innovative sense with the obligatory parallel analysis of the choreographic component
Given the uneven coverage and study of musical and choreographic components of the ballet genre in scientific thought, it is appropriate for scientists to strive for a conscious in-depth study of those aspects of ballet that do not lie in the field of their specialization
Summary
Aksiutina Vladyslava, postgraduate, National Academy of Culture and Arts Management Music in Ukrainian ballet as a musicological problem: experience and perspectives of study Purpose of the Article. Враховуючи значні трансформації всередині музично-театрального жанру балету, викликані змінами світогляду доби ХХІ ст., використанням під час вистав новітніх технологій (освітлення, звук, декорації, спец.ефекти, онлайн транслювання), формуванням сучасної музичнохореографічної мови та інтерпретаціями відомих творів, Ғ потребує перегляду методологія та наукові підходи до теоретичних досліджень жанру балету та його складових, в тому числі двох основних: музичного та танцювального мистецтва. Досвід вивчення музики в балеті демонструє, що найчастіше відбувається конкретизація у мистецтвознавчих (переважно) та культурологічних працях з акцентом на наступні аспекти: теоретичні питання становлення музичної складової балету
Sign-in/Register to view highlights & summary Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: National Academy of Managerial Staff of Culture and Arts Herald
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
