Music in Renaissance magic: toward a historiography of others

Abstract

Preface 1: Approaching Others (Thoughts before Writing) Anthropology and Its Discontents. Occult Thought and Hegemonic Histories. The Hermeneutic Recognition of Others. The Rehabilitation of Hermeneutic Dialogue. Archaeology, Genealogy, and Hermeneutic History. 2: The Scope of Renaissance Magic The New Magic. The World of the Renaissance Magus. Agrippa versus Foucault. Locating Occult Musics. 3: Modes and Planetary Song: The Musical Alliance of Ethics and Cosmology Structures and Their Reproduction. Structural Transformations circa 1500. Structure and Event. 4: Ficino's Magical Songs Spirit, Soul, Music. Word, Image, Music. Phantasmic and Demonic Song. Substance, Figure, Sound. Seeing and Hearing in the Renaissance. 5: Musical Possession and Musical Soul Loss Possession, Shamanism, and Soul Loss. Musical Soul Loss and Possession: Examples from Nonelite Culture. Possession and Soul Loss in Ficino's Furors. Thoughts on the Politics of Early-Modern Mysticism. 6: An Archaeology of Poetic Furor, 1500-1650 Foucault's Epistemes. Magical Furor. Analytic Furor. Poetic Furor and Archaeological Ambivalence circa 1600. 7: Archaeology and Music: Apropos of Monteverdi's Musical Magic 8: Believing Others (Thoughts upon Writing) Appendix: Passages Translated in the Text Works Cited Index