Abstract
Musical elements in the structure of G. MacDonald’s Phantastes and Lilith in the context of the theory of intermediality are studied. The following musical elements are analyzed: motif of fairy world’s music, images of music of nature, musical description of characters’ voices, insertions of songs, interpretation of music as an art. These musical elements act as a characterization of topoi, landscape, characters, technique of stylistic imitation and means of rhythmic organization of narration, expression of author’s point of view. The paper concludes that music in G. MacDonald’s fairy romances is represented by means of intermedial imitation and intermedial thematization used for creation of full of sound fairy world and expression of Romantic view on music essence.
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