Abstract
inclusion of a paper on Soviet Central Asia under the rubric of this conference's title, The Status of Traditional Art Music in Muslim Countries, might seem gratuitous both to Soviets and to Muslims. Yet, if the Soviet Central Asian republics are not Muslim societies, Soviet thinkers have exhibited an abiding concern with the problem of defining exactly how the affairs of these republics might best relate to the tenets of MarxistLeninist Socialism across the broad sphere of administrative, ideological, and aesthetic issues central to the interface of Eastern and Western culture in the region.
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