Music in Medieval and Early Modern Europe: Patronage, Sources, and Texts

Abstract

Part I. Church Patronage of Music in Fifteenth-century Europe 1 Obligation, agency and laissez-faire: the promotion of polyphonic composition for the Church in fifteenth-century England Roger Bowers 2. Church patronage of music in fifteenth-century Italy Giulio Cattin 3. Antoine Brumel and patronage in Paris Craig Wright Part II. Sixteenth-century Instrumental Music 4. Notes (and transposing notes) on the viol in the early sixteenth century Howard Mayer Brown 5. Songs without words by Josquin and his contemporaries Warwick Edwards 6. Instrumental music, songs and verse from sixteenth-century Winchester: British Library Additional MS 60577 Iain Fenlon 7. On Italian instrumental ensemble music in the late fifteenth century Louise Litterick 8. Instrumental versions, c. 1515-1544, of a late-fifteenth-century Flemish chanson, O waerde mont H. Colin Slim Part III. Music and Patronage in Italy 1450-1550: 9. The early madrigal: a re-appraisal of its sources and its character James Haar 10. Music at the Venetian Scuole Grandi, 1440-1540 Jonathan Glixon 11. Antonio Gardane's early connections with the Willaert circle Mary S. Lewis 12. Strategies of music patronage in the fifteenth century: the cappella of Ercole I d'Este Lewis Lockwood Part IV. Stemmatics and Music Sources: 13. Conflicting attributions in Italian sources of the Franco-Netherlandish chanson, c. 1465 - c. 1505: a progress report on a new hypothesis Allan W. Atlas 14. Some criteria for establishing relationships between sources of late-medieval polyphony Margaret Bent 15. Limitations and extensions of filiation technique Stanley Boorman 16. The transmission of medieval chant Alejandro Enrique Planchart 17. The problem of chronology in the transmission of organum duplum Edward H. Roesner.