Abstract

This article examines two interrelated aspects of Mexican regional music response to the coronavirus crisis in the música huasteca community: the growth of interactive huapango livestreams as a preexisting but newly significant space for informal community gathering and cultural participation at the onset of the coronavirus pandemic, and the composition of original verses by son huasteco performers addressing the pandemic. Both the livestreams and the newly created coronavirus disease (COVID) verses reflect critical improvisatory approaches to the pandemic in música huasteca. The interactive livestreams signaled an ad hoc community infrastructure facilitated by social media and an emerging community space fostered by Do-It-Yourself (DIY) activists. Improvised COVID-related verses presented resonant local and regional themes as a community response to a global crisis. Digital ethnography conducted since March 2020 revealed a regional burst of musical creativity coupled with DIY intentionality, a leveling of access to virtual community spaces, and enhanced digital intimacies established across a wide cultural diaspora in Mexico and the USA. These responses were musically, poetically, and organizationally improvisational, as was the overall outpouring of the son huasteco music inspired by the coronavirus outbreak. Son huasteco is a folk music tradition from the Huasteca, a geo-cultural region spanning the intersection of six states in central Mexico. This study examines a selection of musical responses by discussing improvisational examples in both Spanish and the indigenous language Nahuatl, and in the virtual musical communities of the Huasteca migrant diaspora in digital events such as “Encuentro Virtual de Tríos Huastecos,” the “Huapangos Sin Fronteras” festival and competition, and in the nightly gatherings on social media platforms developed during the pandemic to sustain the Huastecan cultural expression. These phenomena have served as vibrant points of transnational connection and identity in a time where physical gatherings were untenable.

Highlights

  • In the middle of April 2020, as the coronavirus pandemic took hold globally in its initial wave, a trío huasteco called Los Yolpakis from Ixcatepec, Veracruz, Mexico released a new version of a tune from the regional vernacular repertory entitled “La Muerte” (Death)

  • Applying a strong tradition of situational improvisation to reflect on an unprecedented historical moment, Los Yolpakis included original verses written expressly to respond to the pandemic

  • Digital ethnography conducted since March 2020 revealed a regional burst of musical creativity coupled with DIY intentionality, a leveling of access to virtual community spaces, and enhanced digital intimacies established across a wide cultural diaspora in Mexico and the USA

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Summary

INTRODUCTION

In the middle of April 2020, as the coronavirus pandemic took hold globally in its initial wave, a trío huasteco called Los Yolpakis from Ixcatepec, Veracruz, Mexico released a new version of a tune from the regional vernacular repertory entitled “La Muerte” (Death). “It is time to meditate/they are going to hit us where it hurts if they end up coming around to infect” us (ya es tiempo de meditar/nos van a dar en la torre/si se llegan a infectar) This kind of improvisational verse in the tradition of música huasteca employed during the coronavirus disease 2019 (COVID-19) pandemic provides an example of the singular and complex regional musical response to a global crisis in the Huasteca, a geo-cultural region spanning six states in central Mexico. This article examines two interrelated aspects of the música huasteca community response to the coronavirus crisis: the growth of interactive huapango livestreams as a preexisting but newly significant space for informal community gathering and cultural participation at the onset of the coronavirus pandemic, and the composition of original verses by son huasteco performers addressing the pandemic. These responses were musically, poetically, and organizationally improvisational, as was the overall outpouring of son huasteco music inspired by the coronavirus outbreak

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