Abstract
1. Stage and screen: Kurt Weill and operatic reform in the 1920s Bryan Gilliam 2. Rethinking sound: music and radio in Weimar Germany Christopher Hailey 3. 'Overcoming romanticism': on the modernisation of twentieth-century performance practice Robert Hill 4. Lehrstuck: an aesthetics of performance Stephen Hinton 5. Singing Brecht versus Brecht singing: performance in theory and practice Kim H. Kowalke 6. German musicology and early music performance, 1918-1933 Pamela Potter 7. Jazz reception in Weimar Germany: in search of a shimmy figure J. Bradford Robinson 8. The idea of Bewegung in the German organ reform movement of the 1920s Peter Williams.
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