Abstract
this article presents an overview of post-mao museum representations of modern chinese history. the focus is on changing exhibitionary practices and historical narratives in prc history museums in the period of market reforms and globalization. it shows how new museum architecture, the place of museum buildings in the cityscape and new exhibitionary technologies (such as multimedia displays, dioramas, miniatures) are tied to new narratives of history that serve the interests of the ideology of market reform. conventional socialist narratives of martyrdom and revolutionary liberation have not disappeared by any means, but they are being reshaped to downplay class issues and to legitimize commercial interests, a work ethic ideology and nationalism.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
