Murals and their evolution and typology in the space of the urban environment on the example of Kyiv

Abstract

Over the past few years, murals have actively and firmly entered into the fabric of the architectural environment as one of the most powerful artistic means of urban art. According to the latest statistics, Ukraine, and Kyiv in particular, tops the list of leaders of the countries with the largest number of murals. Based on the historical context, the murals performed a social and propaganda mission. Already in the XXI century, Ukraine has experienced two revolutions. And they became a powerful impetus for the active manifestation of „street art” on free surfaces. But in contrast to the monumental and decorative compositions of totalitarian art, which still adorn the cities of Ukraine, the artistic and graphic language has changed. Young designers in modern graphic trends, form an updated visual representation of established stylistic solutions. The purpose of the article is an attempt to determine the historical conditions of the murals’ development, the features and principles of their solutions in the city space, as well as modern and promising means of implementation. The article discusses the factors and conditions of the evolution of modern murals, their typology and thematic focus, techniques and means of spatial composition and artistic solutions.