Abstract
Preface and Acknowledgments Introduction - Jenny Kwok Wah Lau Part I: States of Modernities 1. Globalization and Youthful Subculture: The Chinese Sixth-Generation Films at the Dawn of the New Century - Jenny Kwok Wah Lau 2. Marx or Market: Chinese Rock and the Sound of Fury - Jeroen de Kloet 3. Reexamining the East and the West: Tanizaki Jun'ichiro, Orientalism, and Popular Culture - Mitsuhiro Yoshimoto 4. Stranger Than Tokyo: Space and Race in Postnational Japanese Cinema - Yomota Inuhiko, translated by Aaron Gerow 5. Discourse on Modernization in 1990s Korean Cinema - Han Ju Kwak 6. Youth in Crisis: National and Cultural Identity in New South Korean Cinema - Frances Gateward 7. The Fragmented Commonplace: Alternative Arts and Cosmopolitanism in Hong Kong - Hector Rodriguez Part II: Postmodernism and Its Discontents 8. Immediacy, Parody, and Image in the Mirror: Is There a Postmodern Scene in Beijing? - Dai Jinhua, translated by Jing M. Wang 9. Terms of Transition: The Action Film, Postmodernism, and Issues of an East-West Perspective - Chuck Kleinhans 10. Consuming Asia: Chinese and Japanese Popular Culture and the American Imaginary - David Desser Part III: Women in Modern Asia 11. Of Executioners and Courtesans: The Performance of Gender in Hong Kong Cinema of the 1990s - Augusta Lee Palmer and Jenny Kwok Wah Lau 12. The Woman with Broken Palm Lines: Subject, Agency, Fortune-Telling, and Women in Taiwanese Television Drama - Lin Szu-Ping About the Contributors Index
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