Abstract
This paper analyses the representation of foreign residents in Japan in the popular television variety show Kokoga hen dayo nihonjin (This Is So Bizarre, You Japanese). It discusses ways in which the increasing presence and visibility of foreign residents in the Japanese public space enhances the commercial value of ‘ordinariness’. In this process the boundaries between ‘us’ and ‘them-within-us’ are sharply re-demarcated in an international framework and the intensifying multicultural situation is subtly turned into a multinational media spectacle, in a way in which the national imagined community is not fundamentally displaced.
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