Abstract

This article explores the multicultural dimensions within the texts of three South African soap operas (soaps). It uses text analysis and interviews as a methodology to expose the intricate web of influences that are all part of the fabric of a South African soap. The text and discursive analysis are based on Systemic Functional Linguistics Theory of Halliday. The analysis of the texts proceeds from a pre-interpretation stage, through an analysis stage and into a revisit or re-interpretative stage. The creators of the texts as well as commercial bias are seen as politico-economic and cultural influences which may have direct bearing on the texts and are therefore interrogated. The findings confirm no multicultural model for South African soaps and show correlation between commercial interests and homogenised South African stereotypes.

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