Abstract
The first samples of Andalusi Hebrew poetry inspired by the Arabic metric and figures in the 10th century at Cordoba took the form of musammaṭ . Hebrew musammaṭ lends both strophic games and metric changes not tolerated in Hebrew poetry inspired by classical Arabic metrics. This phenomenon will occur throughout all the classical period of the Jews of Andalus (10th-12th centuries). I selected a sample of acrostic Hebrew musammaṭ in order to show this use establishing their date and place. The aim of these samples is to shed some light on two premises currently accepted: the stanzaic structure of the Andalusi poetry is rooted in the musammaṭ and the Hebrew poetry has two metrical models: quantitative and syllabic.
Highlights
The first samples of Andalusi Hebrew poetry inspired by the Arabic metric and figures in the 10th century at Cordoba took the form of musammaṭ
Hebrew musammaṭ lends both strophic games and metric changes not tolerated in Hebrew poetry inspired by classical Arabic metrics
I selected a sample of acrostic Hebrew musammaṭ in order to show this use establishing their date and place
Summary
El siguiente análisis parte de dos premisas aceptadas entre la mayoría de los académicos: 1. El estrofismo de la poesía andalusí tiene su origen en el musammaṭ y 2. El siguiente análisis parte de dos premisas aceptadas entre la mayoría de los académicos: 1. El estrofismo de la poesía andalusí tiene su origen en el musammaṭ y 2. En la poesía hebrea andalusí hay dos modelos métricos: el cuantitativo y el silábico. La propuesta que se presenta en estas páginas es doble y pretende arrojar luz sobre ambas premisas
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