Abstract
This article aims to examine the act of sound sensation in John Tavener Work (1944-2013) following the idea of logic of sensation created by Gilles Deleuze (1925-1995) and phenomenology of the body Xavie Zubiri (1898-1983). Through the concepts of from both philosophers it might be possible to draw the sound experience of vibration that proposes the sacred art of minimalism in the Anglo- Saxon composer.
Highlights
Lo que busca este artículo es investigar el bello y difícil acto de la sensación sonora de la obra de John Tavener (1944-2013) a la luz de una lógica de la sensación de Gilles Deleuze (1925-1995) y de la fenomenología del cuerpo de Xavie Zubiri (1898-1983)
This article aims to examine the act of sound sensation in John Tavener Work (1944-2013) following the idea of logic of sensation created by Gilles Deleuze (1925-1995) and phenomenology of the body Xavie Zubiri (1898-1983)
Through the concepts of from both philosophers it might be possible to draw the sound experience of vibration that proposes the sacred art of minimalism in the AngloSaxon composer
Summary
Lo que busca este artículo es investigar el bello y difícil acto de la sensación sonora de la obra de John Tavener (1944-2013) a la luz de una lógica de la sensación de Gilles Deleuze (1925-1995) y de la fenomenología del cuerpo de Xavie Zubiri (1898-1983).
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