Abstract

This paper aim is to point out some common issues in Adorno’s reflections about music and the Negative Dialectic philosophical project. Trough the discussion of some musical concepts like developing variation, music material and musical idea, all Schonberg’s concepts, it will be done a discussion in parallel between these concepts and some notions characteristics to the Adorno’s model of dialectics. Finally, it will be sustained that the philosophical experience proper to Adorno and presented principally in Negative Dialectics can be properly understood only if interpreted in relation with some Adorno’s discussions about the temporality experience contained in the music of Beethoven and in that of the second viennense school. Keywords: Modern music; Developing variation; Negative dialectics; Temporality; Critic philosophy.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.