Abstract

In 1962, Pete Seeger recorded "The Ballad of Doctor Dearjohn" about Canadian Medicare and the Saskatchewan doctors' strike of the same year. How had this New Yorker, recently relieved of a jail sentence, learned of Medicare in the distant prairie province? And why was his song never released? This paper traces the ballad's fortunes through the papers of composer Earl Robinson (University of Washington) and the archives of the American Medical Association. It is situated in the historiography of folk revival and the expatriate adventures of artistic Americans persecuted in the McCarthy era.

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