Abstract
The eighteenth-century actress Mrs Frances Abington left a legacy of images of herself, both as a woman of fashion and as a popular comedienne. At the height of her career in the mid-century, English society was experiencing accelerating changes in communication, both through printed media and imagery. Abington made full use of the popularity of the new public exhibitions and the growing market for printed images to actively promote herself to her supporters. This article places her in the context of mid-eighteenth-century London theatre and examines how she used imagery in the creation of a public persona.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
