Abstract
The intention behind the rather outlandish title of this paper is to suggest how the remarkable achievement of William Adam, perhaps the only eighteenth-century Scottish architect practising at home who succeeded in producing a substantial body of highly individual work of more than parochial interest (though this achievement has rarely been seen as belonging to the wider arena of British architecture), accorded with ideas and fashions south of the border, where many of the most important early Georgian architectural innovations were being made.1
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