Abstract

The Holy Synod of the Serbian Orthodox Church and the state representatives of the Republic of Serbia, with the brotherly aid of the Government of The Russian Federation and its Department for External Church Relations of the Moscow Patriarchy are nearing the completion of the Temple of Saint Sava. The unique style and artistic concepts of Nikolay Mukhin is in complete harmony with the architecture of Hagia Sophia in Constantinople, the foremost example of Byzantine and Serbian medieval art. There are four representations in the great arch of each cupola of the Temple of Saint Sava, grouped according to meaning and history as presented in the Holy Testament, with the aim of faithfully depicting the earthly life of Christ and the Mother of God. The rich and original iconography of the mosaics and iconostases is awe-inspiring in their artistry for the over three hundred artists engaged in their execution. The conceptual knot of the interior: the dome, the space below, the pendentive and main arches, with their beautifully decorated altar space, have enriched Serbia and the world with one of the most imposing and magnificent monuments of Christianity today.

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