Abstract
Tibetan Buddhism uses the method of moving through paradoxes and harnessing bodhicitta. They demonstrate the learning to dwell on the paradox of something being both right and wrong and someone being both angry and loving, and such practice stays within uneasiness without solidifying into a view. This in-between state is where the warrior stays and learns to handle uncertainty, ambiguity, compassion and sadness. Zen aesthetics considers impermanence as an integral part of beauty, culture of things as imperfect, incomplete offering a greater freedom of form, sublime, colour and simplicity.
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