Abstract
ABSTRACTThis article discusses the artistic and technical development, and performance of an original work for interactive dance, digital sound, and multimedia entitled, Antennae (version 2). The work has been an ongoing collaboration between experimental choreographer Emily Beattie and media artist Brian Knoth, who are also the co-authors of this research document. Among other insights, we have found that through technologically mediated live performance, we can explore concepts related to noise and signal, as experienced within one’s self and out in the world. Consequently, our own perspectives on noise and signal have evolved. In turn, we are slowly developing an artistic language that expresses this experiment in abstract storytelling, performance art process, and aesthetic practice, while continuing efforts towards a meaningful implementation of technology within an interactive multimedia and dance context.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal of Performance Arts and Digital Media
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
