Abstract

Evidence exists that motor dexterity is associated with a higher tremor amplitude of physiological tremor. Likewise, lower frequencies are associated with motor control. So far only case reports of a higher amplitude of physiological tremor in musicians exist. Moreover, no study has investigated lower frequencies during a finger movement task in musicians who can be regarded as a model of motor expertise. We developed a model and derived three hypotheses which we investigated in this study: (1) Tremor amplitude is higher in the range of physiological tremor and (2) higher for frequency ranges of dystonic tremor in musicians compared to non-musicians; (3) there is no difference in tremor amplitude at frequencies below 4 Hz. We measured tremor during a finger flexion-extension movement in 19 musicians (age 26.5 ± 8.2 years) and 24 age matched non-musicians (age 26.5 ± 8.7). By using empirical mode decomposition in combination with a Hilbert transform we obtained the instantaneous frequency and amplitude, allowing to compare tremor amplitudes throughout the movement at various frequency ranges. We found a significantly higher tremor amplitude in musicians for physiological tremor and a tendency toward a higher amplitude during most of the movement in the frequency range of 4–8 Hz, which, however, was not significant. No difference was found in the frequency range below 4 Hz for the flexion and for almost the entire extension movement. Our results corroborate findings that the 8–12 Hz oscillatory activity plays a role in motor dexterity. However, our results do not allow for the conclusion that tremor at the frequency range of 4–8 Hz is related to either plasticity induced changes that are beneficial for motor skill development nor to maladaptive changes as, e.g., focal dystonia.

Highlights

  • Tremor is one of the most common movement disorders, characterized by an involuntary, oscillatory and rhythmic movement with a heterogeneous etiology

  • We developed a model and derived three hypotheses which we investigated in this study: (1) Tremor amplitude is higher in the range of physiological tremor and (2) higher for frequency ranges of dystonic tremor in musicians compared to non-musicians; (3) there is no difference in tremor amplitude at frequencies below 4 Hz

  • Our results do not allow for the conclusion that tremor at the frequency range of 4–8 Hz is related to either plasticity induced changes that are beneficial for motor skill development nor to maladaptive changes as, e.g., focal dystonia

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Summary

Introduction

Tremor is one of the most common movement disorders, characterized by an involuntary, oscillatory and rhythmic movement with a heterogeneous etiology. It has been shown that finger movements are not smooth but characterized by discontinuities within the frequency range of physiological tremor of 8–10 Hz that occur at different finger velocities (Vallbo and Wessberg, 1993). These discontinuities were discussed to be due to an oscillatory central motor command for finger movements, rather than due to either short or long–latency reflex mechanisms. Differences in tremor amplitude of physiological tremor between musicians and non-musicians have not been systematically investigated so far in a task that involves a flexion-extension movement of single fingers, which is one of the most essential movements for the performance of most instruments

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