Abstract

Lawrence portrays widows mourning husbands in two early works—his story Odour of Chrysanthemums and his play The Widowing of Mrs. Holroyd. Both works center on a marital conflict that can end only with the death of one of the partners. In The Work of Mourning (2001), Jacques Derrida writes, “One should not develop a taste for mourning, and yet mourn we must” (95). Lawrence did develop a taste for mourning, as his growing recognition of “the dignity of death” in these moving texts reveals. ...

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