Abstract

Despite recent moves among philosophers of religion to avoid undue abstraction by giving closer attention to religion’s practical dimensions, such moves commonly remain limited to a relatively narrow range of religious traditions. What D. Z. Phillips has termed the “radical plurality” of religious and nonreligious forms of life, comprising morally troubling as well as edifying varieties, thus continues to be neglected. This article promotes an expanded approach to philosophy of religion with regard to both methodology and scope. Methodologically, it explores the potential of narrative works, and of dramatic fiction in particular, not only to constitute resources for philosophical reflection but also to actively philosophize themselves. To this end, two plays, by Rabindranath Tagore and Girish Karnad respectively, are discussed. With regard to subject matter, the article examines the complex phenomenon of animal sacrifice, and opposition to it, in South Asian contexts.

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