Abstract
This study reviews the conventional setting of Herzberg Two-Factors Theory and compare with research findings in the Ramayana Ballet show. This research is was done by observation and interview process. This study is a qualitative research that combines historical methods and economics research background. The hygiene factors consist of salary, company policy, good interpersonal relationship and quality of supervision, job security, working condition, and work life balance. The motivation factors consist of personal status, challenging, promotion, responsibility, and growth. This study shows that almost all art groups of Ramayana ballet have high hygiene factor and low motivation. but this findings still led to the high engagement of the artists towards Ramayana ballet show and it was proven by the existence of the art group and the Ramayana ballet show. Implementation of Two Factor Theory Herzberg in the arts group shows different with the factors that have been formed by Herzberg. The artists’ engagement from the art group Ramayana Ballet shows different characteristics.
Highlights
The existence of Ramayana Ballet for the Prambanan community provides an opportunity to actively participate in supporting Ramayana Prambanan Ballet
As an important part of this art group, are drawn from Indonesian Dance Academy Students, whereas almost all field officers have permanent jobs in addition to art and make Ramayana Prambanan as side jobs. Both dancers and musician exist that during the day they work while the night they dance in Ramayana Prambanan
Dancers in the Kasanggit art group have more than one membership in the Ramayana Prambanan performing arts group
Summary
The existence of Ramayana Ballet for the Prambanan community provides an opportunity to actively participate in supporting Ramayana Prambanan Ballet. Prambanan community participation in the development of Ramayana Ballet management is very large. The presence of Ramayana Ballet since 1961 begins with the sending of 33 cadres from Prambanan community to join the training in Surakarta which later is expected to be a cadre of local artists who in the long term can prepare mass dancers from Prambanan society. Sent the cadres of pengrawit for learning karawitan in Surakarta. Ramayana Ballet capable of displaying local artists from both dancers and pengrawit. In the development of performing arts in Indonesia, Ramayana Ballet is a new stage of artistic life, especially the life of Javanese dance and traditional music art
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