Abstract
Mothering India concentrates on early Indian women’s fiction, not only evaluating their contribution to the rise of Indian Writing in English (IWE), but also exploring how they reassessed and challenged stereotypes about Indian womanhood, thereby partaking in the larger debate about social reform legislations relating to women’s rights in British India. Early women’s writings are of immense archival significance by virtue of the time period they were conceived in. In wielding their pens, these trend-setting women writers (such as Krupa Satthianadhan, Shevantibai Nikambe, Cornelia Sorabji, Nalini Turkhud, among others) stepped into the literary landscape as ‘speaking subjects,’ refusing to remain confined into the passivity of ‘spoken-of objects.’ In focusing on the literary contribution of pioneering Indian women writers, this book also endeavours to explore their contribution to the formation of the image of their nation and womanhood. Some of the complex questions this book tackles are: Particularly when India was forming a vague idea of her nationhood and was getting increasingly portrayed in terms of femaleness (via the figure of an enchained ‘Mother India’), what role did women and their literary endeavours play in shaping both their nation and their femininity/feminism? How and how far did these pioneering authors use fiction as a tool of protest against and as resistance to the Raj and/or native patriarchy, and also to express their gender-based solidarity? How do they view and review the stereotypes about their fellow women, and thereby ‘mother’ India by redefining her image? Without studying women’s perspective in the movement for women’s rights (as expressed in their literature) and their role in ‘mothering India’, our knowledge and understanding of those issues are far from holistic. A detailed study of these largely understudied, sadly forgotten and/or deliberately overlooked ‘mothers’ of IWE is long overdue and this book aims to redress that critical oversight.
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