Abstract
Quarterly, 35 (Summer, 1982), 2-12; 2. 9. Henry IV, Part II, 5.5.85-6 and 89-90, cited from The Arden Edition, ed. A.R. Humphreys (London: Methuen, 1966). 10. Stanley S. Rubin discusses Welles's use of Holinshed as a narrative device in Welles/Falstaff/Shakespeare/Welles: The Narrative Structure of Chimes at Film Criticism, 2 (Winter/Spring, 1978), 66-71. 11. By the end of Welles's film, Andrew McLean notes, An epoch has passed, a world view has altered, and a new historical consciousness has been born (Orson Welles and Shakespeare: History and Consciousness in Chimes at Midnight, Literature/Film Quarterly, 11 (1983), 197-202; 202).
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
