Abstract

AbstractCookbooks are cultural artifacts, providing glimpses into the ways in which a society views itself. Cookbooks of incarcerated individuals are notably absent from the landscape of scholarly work, although the genre can tell us much about a largely invisible segment of society. Using a narrative criminology approach, this project situates inmate‐authored cookbooks as narrative and examines 13 inmate‐authored cookbooks to determine how the structural elements of these narratives establish (or fail to establish) links with wider, mainstream society. Results suggest that the majority of inmate‐authored cookbooks employ narrative structures and strategies that engage with outside society by challenging the nature of ‘otherness’. Only a few cookbooks utilise such strategies as inside humour or violent narratives to mark the boundaries of prison culture. Findings help to extend the theoretical usefulness of narrative criminology, broaden and deepen our understanding of the prison experience, and establish the prison cookbook as a valid form of narrative.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call