Moral Selves and Moral Scenes: Narrative Experiments in Everyday Life

Abstract

Through what kind of inaugural scenes is the moral self born? And what are the practices, within that scene, through which one tries to become a moral person, or a different sort of moral self, a person one is not but wishes to be? These questions are at the heart of the recent ethical turn in anthropology and sociocultural studies more broadly. In this paper, I explore three moral imaginaries: the trial, the artisan workshop and the moral laboratory. Turning to ethnographic material, I compare how these social imaginaries illuminate the moral work of people engaged in trying to create good lives for themselves and those they care about. Drawing upon a long-term study of a group of African-American families caring for children with significant illnesses and disabilities, I examine people's attempts to transform not only themselves but also the social and material spaces in which they live.