Abstract
Between 1940 and 1964, a theatrical enterprise began and thrived in the United States which can best be described as Right Wing Theatre. An organization called Moral Re-Armament (MRA) presented to audiences numbering in the millions dozens of plays, movies, and television programs expounding the MRA philosophy that all social ills could be cured if individuals would listen to the voice of God within themselves. MRA owned two major theatres and toured productions throughout the world, often simultaneously presenting different plays in a number of countries.
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