Abstract

The present article focuses on the imagery of the shrine model found at Tell el-Far‛ah North, Biblical Tirzah, seat of the ruling dynasty of the Northern Kingdom in the early days of the Israelite monarchy. It examines the multiplicity of connotations, changeability and ambiguity in the representation of the lunar crescent image in the figurative language of the ancient Near East. Finally, the article offers a reconstruction of the model’s place within the cult of the late 10th–early 9th century BCE.

Highlights

  • North, Biblical Tirzah, seat of the ruling dynasty of the Northern Kingdom in the early days of the Israelite monarchy

  • The present article seeks to examine the multiplicity of connotations, changeability and ambiguity in the representation of the crescent moon image in the ancient Near East in visuals and texts

  • My point of departure is the shrine model found at Tell el-Far‛ah North, Biblical Tirzah, seat of the ruling dynasty of the Northern Kingdom in the early days of the Israelite monarchy

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Summary

Previous Interpretations

Previous interpretations have taken the fronton motifs and palmette pillars as symbols of a goddess. Michaël Jasmin related the crescent and columns to a fertility goddess of the Astarte or Asherah type, who is usually represented by the crescent, dove, lion and date palm Silvia Schroer has pointed out that the female aspect of the moon is enhanced by the palmette volutes, an abbreviated form of the date palm, the tree or palmette pillars substituting for the figure of the (naked) goddess William Dever postulated that the dots represent the stars of the Pleiades, astronomical symbols closely associated with “Asherah/Astarte” and later with Tanit Uehlinger suggested that the dots may represent rain drops, in accordance with the Northern Syrian tradition of depicting rain Uehlinger suggested that the dots may represent rain drops, in accordance with the Northern Syrian tradition of depicting rain (Keel and Uehlinger 1992, p. 184)

Suggested Reading of Motifs
Rain Imagery in the Ancient Near East
Meaning and Conclusions
London
Full Text
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