Abstract

This essay is a rereading of two novels by Mario Benedetti published first in Montevideo in the 1960’s and subsequently in Mexico around the 1970’s, receiving changing receptions over the years. Both have Montevideo as their setting, but the topographical perspectives and writing strategies are different. It traces the networks of writers, publishers and readers in Latin America developed during the 20th century and their obliteration by the military regimes in the 1970’s. Reviewing the fluctuating moods in Benedetti’s later reception, this essay compares opposite sets of aesthetic values developed during the second half of the last century, which are taken for granted even today, studying their initial hypotheses and showing how literary works are distorted by prejudiced sets of critical perspectives that pigeonhole works and authors in boxes established in advance.

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