Abstract
Contents: Introduction Music publishing in Italy, c.1580-c.1625: some preliminary observations On the composition and performance of Caccini's Le nuove musiche (1602) Caccini's Amarilli, mia bella: some questions (and a few answers) New songs for old? Guarini and the monody 'An air new and grateful to the ear': the concept of aria in late Renaissance and early Baroque Italy Artusi, Monteverdi, and the poetics of modern music 'Sfogava con le stelle' reconsidered: some thoughts on the analysis of Monteverdi's Mantuan Madrigals Resemblance and representation: towards a new aesthetic in the music of Monteverdi Possente spirto: on taming the power of music Intriguing laments: Sigismondo d'India, Claudio Monteverdi, and Dido alla parmigiana (1628) 'In Love's harmonious consort'? Penelope and the interpretation of Il ritorno d'Ulisse in patria Re-reading Poppea: some thoughts on music and meaning in Monteverdi's last opera Index.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
