Abstract
Accusations of witchcraft in America were often death sentences for women that society considered as acting outside of the norm; however, in Robert Eggers’s film, The Witch, embodying the role of a witch becomes a powerful tool in fighting Puritanical social expectations with magic, appearance, and behavior. Through the application of monster theory, historical contextualization, and feminist theory, this essay explores the implications of portraying the film’s main villain as a grotesque hag, the meaning behind its use of gory magic, why the protagonist chooses to become a witch herself, and finally, the consequences of othering marginalized groups from society.
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