Abstract
The concept of mono-no-aware aesthetics was first introduced by the Japanese literary scholar Motoori Norinaga inhis commentary book げんじものがたりたまのおぐし . As the first of the three central Japanese aesthetic ideas,Mono no aware has profoundly influenced the expression of Japanese artistic texts. In this paper, we will look at severalJapanese fiction and film texts to explore the emotional pursuits and philosophies of life expressed by the authors andfelt by the readers and the cultural connotations behind them.
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