Abstract
This paper zeroes in on several transient yet significant moments that emerged in China during November to December 2022, when the country’s strict zero-COVID policy transitioned to an abrupt lift of all restrictions. It analyzes three types of phenomena to deepen our understanding of how cynicism operates as a coping mechanism for individuals to make sense of their everyday lives: (1) “literatures of madness” (fafeng wenxue), (2) group crawls on college campuses, and (3) pandemic jokes (duanzi) satirizing policy changes. The explored scenes illustrate a spectrum of cynical responses that challenge the distinctions between the real and the fictional, truths and rumors, and the playful and the political. Consequently, cynicism emerges as a diverse set of strategies on both textual and performative levels, aiding in the interpretation of the absurd. Further, an investigation of these cases sheds light on understanding contemporary youth culture in the context of a global health crisis. Amid the popular rhetoric about the youth celebrating passivity, all three cases illustrate the liminal space in which youths navigate between passivity and agency, between disillusionment and hope.
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