Abstract
Drawing upon Stanley Cavell’s concept of the comedy of remarriage and Alain Badiou’s event theory, this essay argues that, in James Joyce’s Ulysses, Molly Bloom’s love-event is necessarily missed the first time, but it is reasserted in a final repetition, after the initial misrecognition of infidelity.
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Schedule a callMore From: FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts
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