Abstract

This article argues that the perception in Restoration Spain that modernity was constituted by representation allowed the Spanish realist novel to be self-reflexive without contradicting its claim to depict contemporary reality. It outlines how the Spanish realist novel critiques modernity’s conversion of reality into representation in relation to the following contemporary phenomena: social reform initiatives which imposed gender norms on women; the market economy including consumerism, fiduciary money, and the abandonment of the gold standard; and a fraudulent system of parliamentary representation.

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