Abstract
Series Editors' Foreword Acknowledgments Introduction. I. Modern, Antimodern, and Mythic Posing II. Gendered Identity and Embodiment III. Biblical Typology and Classical Ritual IV. Solo Genres V. Modernist Kinaesthetics Chapter 1. Solo's Origins: Monodramas, Attitudes, Dramatic Monologues I. Galatea's Reach: Gestures of the Monodrama II. Veiled Motions: Emma Lyon Hamilton's Attitude III. Goethe's Proserpina and Later Posers IV. Barrett Browning: Naming Aeschylus and The Virgin Mary V. Types and Housewives in Christina Rossetti and Augusta Webster Chapter 2. Posing Modernism: Delsartism in Modern Dance and Silent Film I. Delsarte's Aesthetics of the Attitude II. Disseminating Delsarte III. Performing Delsartism: Genevieve Stebbins and the Early Motions of Modern Dance IV. Performing Delsartism (Take Two): Denishawn and Hollywood V. Russian Delsarte: Kuleshov and Film Montage Chapter 3. Positioning Genre: Dramatic Monologue in Cultures of Recitation I.
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