Abstract
This article reconsiders the persistent Asian American stereotype of model minority by analyzing the contemporary visual art practice of Brooklyn-based Mika Tajima through 1960s discourses of the Herman Miller Research Corporation’s Action Office furniture series, the model minority myth, and British psychoanalyst D.W. Winnicott’s theory of transitional phenomena. It examines the overlapping aesthetics of modular office furniture and model minority racialization by asking: what would it mean to consider the model minority trope, alongside modular cubicle structures, as transitional objects through which one can create a “good-enough environment” and experiment with alternative forms of relating? What would it mean to play with model minority discourse as a transitional object for Asian American subject formation?
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
