Modern Japanese theatre and performance

Abstract

Chapter 1 Introduction: Modern Japanese Theatre (Revisited) Part 2 Shingeki History Chapter 3 Why Did Sewamono Not Grow into Modern Realist Theatre? Chapter 4 The Rhetoric of the Real Chapter 5 Moment(um) of Memory: Metapatterns in Japanese Theatre Since the 1960s Chapter 6 The Quest for Salvation in Japan's Modern History: Four Plays by Akimoto Matsuyo Chapter 7 Poison Women and National Identity in Postwar Japanese Performance Chapter 8 Senda Koreya and the Tenko Paradigm Part 9 Experimental Theatre(s) and Border Crossings Chapter 10 Structureless in Structure: The Choreographic Tectonics of Hijikata Tatsumi's Buto Chapter 11 Terayama in Amsterdam and the Internationalization of Experimental Theatre Chapter 12 Super-kyogen: Radically Traditional Utopian Comedies Chapter 13 Classical Japanese Performance in a Contemporary Context: A Traditional Strategy of Juxtaposition Part 14 Specific Plays and Productions in Modern Japan Chapter 15 Illegitimate Child of Shingeki: Soganoya Gokuro and His Nonkina tosan (Easygoing Daddy) Chapter 16 Reflections of and on the Times: Morimoto Kaoru's A Woman's Life Chapter 17 Steeplechase: Mishima Yukio's Only Original Modern No Play Chapter 18 Destroying the Audience's Alibi: Empathy and Ethics in Abe Kobo's Mihitsu no koi Chapter 19 Divine Memory and Abject Reality: Miyagi Satoshi's Tenshu Monogatari and Simizu Shinjin's Bye Bye: The New Primitive Chapter 20 From Scaretto to Kaze to tomo ni sarinu: Musical Adaptations of Gone with the Wind in Japan Part 21 A Super-kyogen Script Chapter 22 Mutsugoro (Mudskippers)