Abstract
This chapter focuses on Marga Richter's success with her modern dance scores and MGM music recordings during the period 1951–1960. After graduating from Julliard Graduate School, Richter moved to an apartment on 308 West 107th Street. In New York City, she was able to attend fine traditional and new music concerts, visit museums, and partake in the cultural life of the city. However, earning a living was a significant concern. Fortunately, Richter's music had drawn the attention of choreographer James Waring. This chapter first considers Richter's studies in New York and her marriage to Alan Skelly before turning to her early modern dance, piano, and orchestral works as well as compositions for children. It also examines Richter's beliefs and views on women's roles, along with her teaching pieces. Finally, it looks at Richter's concert music compositions commissioned by Edward Cole for recording by MGM, including Sonata for Piano (1954), Lament for string orchestra (1956), and Aria and Toccata for viola and string orchestra (1957).
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